NAPOLEON & GOETHE The touchstone of genius

 

 

Published by: The Brain Trust

2023 Softcover

Pages 202

ISBN: 9798867676032

  

The publisher’s Notes

Raymond Keene OBE is uniquely placed to write up the interaction between those two titans of the late 18th and early 19th centuries, Napoleon Bonaparte and Johann Wolfgang von Goethe. The former was the most powerful statesman and warrior the world had ever witnessed, up to that time; the latter was the epitome of European culture, with his Faust epic considered the greatest creation of German literature. Both loved the game of chess.

The author is a chess Grandmaster, former British and EU Champion, who majored in French and German literature, language and culture, while studying at Trinity College Cambridge, where he shared lodgings for a year with the future King Charles III. At Trinity, Ray’s special topic was the life and works of Goethe.

Ray has included his new performing version translation of Goethe’s Faust and propounds here the theory that Faust and Napoleon share many traits in common. Goethe described Napoleon as demonic, but Goethe went one better and his greatest work shares the stage equally between a Napoleonic Faust and a real demon, Mephistopheles, surging directly from the pit of Hell.

This book is an essay on inspiration. How two great geniuses – Napoleon and Goethe – recognised and inspired each other, how great minds of the past influenced them and how these lessons can be adapted and incorporated to enrich the readers’ own endeavours in life.

“Goethe possessed unparalleled wisdom and a profound understanding of human nature.”

Friedrich Nietzsche

“Bonaparte, the greatest man of action ever known to human records.”

Sir Winston Churchill

 

Contents

Acknowledgements

Timelines of Napoleon and Goethe

Quotes about Napoleon and Goethe

Foreword by Professor Marek Kasperski

Napoleon and Goethe: The touchstone of genius

Introduction by Raymond Keene OBE

Chapter 1       The Art of Warfare

Chapter 2       Napoleon’s Master Mind Group

                        Alexander the Great

    Hannibal

    Julius Caesar

Chapter 3       The Value of Speed

Chapter 4       Battlefield Strategy and the Game of Chess

Chapter 5       Napoleon the Chess Player

Chapter 6       Napoleon and Alekhine

Chapter 7       Goethe’s Faust

Chapter 8       Goethe’s Faust: A Performing Version translated by Raymond Keen OBE

About the author

Bibliography and further reading

 

My overview

The book is published in softback and hardback. The front cover looks rather impressive in black and green/gold with images of Napoleon and Goethe. It is printed on good quality paper with a decent sized and readable font and the images of art and the chess diagrams throughout complement the text nicely.

I had no idea what these two famous people had in common, or how they were even associated with one another. That’s where my educational journey began. The two actually met and – to my interest - they both loved chess. Both were leading experts in their chosen profession in military and literature and both like to win and be the best at what they did.

I do note that there was a book written in 2008 by one Gustav-Seibt entitled Goethe and Napoleon: A Historical Encounter and there is certainly a German edition of this out there, but I have no idea if there is any chess in it. Almost certainly not. The two are unrelated.

The first part of the book examines Napoleon, and the Second Goethe with the performing version of Faust according to the author’s translation. He has written ‘Goethe’s Faust, an abridged version’ in 2020 published by Filament Publishing Limited, but this is the performing version and I note that whilst some images are understandably and necessarily the same there are some lovely new ones here placed in different areas of the text. Julian Simpole’s illustrations are superb.

This book reveals insights into two famous people, how they were as individuals and indeed how the pair were linked. There is more on Napoleon than Goethe. Both men were born twenty years apart, Napoleon in 1749 and Goethe in 1769, and they met in 1808 at Erfurt and Weimar. Oh, to have been a fly on the wall at that defining moment.

Just a note on the foreword written by Professor Marek Kasperski. The Napoleonic General, Jan Hendryk Dąbrowski was his mother’s distant but direct relative! His name is known in Paris as ‘Dombrowsky’ and it appears on the Arc de Triomphe, which is very interesting. Of course – the professor has a special interest in this work, then.

So – diving straight in and the author shares his knowledge of Napoleon, and in addition to all of the well-known battles etc. he tells us about his ‘Master Mind Group.’

What on earth is that?

Well, the three big names that Napoleon cherished from history were Alexander the Great, Hannibal and Julius Caesar. These were three conquerors that he wished to emulate and all were a huge inspiration to him. Keene provides engrossing details about all three, to include their stellar endeavours which as everyone must know, were historically significant. Amongst many other successes, Alexander overthrew the Persian Empire, Hannibal took those famous elephants across the Alps and Caesar founded the Roman Empire. What more do you want? Incidentally, one of Alexander’s generals was called ‘Ptolemy’ which was the name of one of legendary astronomer Sir Patrick Moore’s cats, but I digress.

This is a book that discusses military strategy and chess, and indeed how closely the two are related. I have always been expounding this view on my own chess travels. Chess is fundamentally a war game, comprising of two armies - each with warriors that possess certain skill sets and a general (the king) that must utilise each unit to get the very best from them. The key is harmony, but there are many other elements to battle strategy, such as surprise! Speed is also critical in war – just as it is in chess and the author explains in chapter four how in his view, battlefield strategy and chess are related. The curious reader will be interested in the section outlining five key battles and Keene’s comparison with five games of chess. How on earth can this be done? Well it makes sense when you read it! The un-enlightened onlooker may be confused but it has intellectual weight, especially to chess players. Napoleon said ‘In war, morale is everything.’ and the same must be said about the royal game. Chess players will doubtless enjoy the games, with clear and understandable notes from a Grandmaster of chess. Play through the games on a proper chess board, as I did and enjoy them.

I have read many of Raymond Keene’s books and have commented before that he is an intellectual heavyweight, with a truly unique mind and a substantial cerebral carapace. You never know what new delights will face you with the turn of each page. When he discusses Napoleon the chess player, we learn that the French General wasn’t actually very good, and four apocryphal games are given that cannot in any way ever be substantiated.

In other parts I was very impressed at the depth that the author has gone to in order to inform us (for example) that many of the officers of the Duke of Cumberland, who was the victor against Bonnie Prince Charlie at Culloden, subscribed to André Danican Philidor’s 1749 book L’analyze des Échecs. Philidor was one of the world’s leading chess players at the time.  

Why does the author include a chapter on Napoleon and Alekhine, a former World Chess Champion? Well, it’s kind of neat, actually. He weaves into the plot, a quote from Napoleon that struck a chord with Keene whilst he was abroad that reminded him of one of Alekhine’s games. Upon his return home, he located the said game and trust me, the finish to that contest from 1937 is absolutely sublime.

That’s Napoleon done then – dead and buried on 5^th May 1821.

To Goethe, and there’s not as much detail about the man himself here as there is on Napoleon, but the point is to present the performing version of Faust which is there to enjoy again and again. Faust was Goethe’s life work and reflects his personality, trying to bring more light to the world. Keene expounds that Faust has character traits with Napoleon, and that neither were bothered about any moral dimension to their activities. Fair point!

It would be remiss of me not to state that Goethe may have said the greatest thing ever about chess in that it was ‘The touchstone of the intellect.’ That’s incredibly succinct, and very profound, although looking at some of my games, you wouldn’t think it. I had never read any Faust (thanks, school!) until the author introduced me to it in his previous work, but I absolutely love it. Faust is malevolent, full of himself, creative and cocky – I shouldn’t be at all surprised then if he was a decent chess player.

I enjoyed the book, and I found the work around Napoleon in particular to be an education, as it should be. It began with tales of a legendary General, and finished with God, Faust and the heavenly host ascending into the heavens, having emerged victorious against Mephistopheles as he is left gnashing his fangs somewhere below. 

When I finish any book, in which I have invested time and usually money (gifts apart), I want to have derived intellectual value from it, and this was certainly the case here. Keene is clearly passionate about chess, German culture and language and he continues to push boundaries in terms of making remarkable connections between events and people in his own inimitable fashion. One does not have to always agree with the author but by being curious, keeping an open mind and considering possibilities the reader will benefit. Historians, thespians and chess fans alike should keep a copy on their bookshelves for discussion at social occasions.    

I know I will.

FRITZ 19

 

FRITZ 19

You all remember being a child and walking into a sweet shop, eyes wide open as you stare wistfully at all those jars, filled with the beautiful colours and shapes of hundreds of varieties of sweet candy. There was so much choice that it was difficult to decide what to have.  So it is nowadays with chess programs. Before the advent of platforms such as lichess and Chess.com we got our chess fix from the mighty Fritz, and I caveat this review by saying that I have been a fan from the very beginning and don’t ever see myself without the latest edition. We are now on to Fritz 19 and as always there have been some developments and improvements.

The engine that drives this program has just won the Computer Chess World Championship – in July it defended its title by winning it a second year straight. But the new software is not just super-strong: it also introduces a new era of chess training. It will help you maintain a repertoire, practice playing against it, teach you how to deal with different kinds of opponents.

Here’s the advertising description.

Attacker, coward, swindler or endgame wizard: I'll show you how to win against anyone! After my World Championship victories in 2022 and 2023, I am the reigning Chess Software World Champion and am now looking forward to showing you how to become even stronger against your opponent With my innovative training method, I simulate typical player personalities you know from tournaments and online chess: brash attackers, cautious cowards, passive players. But how do you win against them? Fritz will show you how! And for beautiful attacks, combinations or sacrifices, there are the new ChessBase cards as a reward for you. Practical training that's also a lot of fun. Or let's train openings: you can try out a new repertoire ideas directly in a match against me. And how about the new calculation training for a quick Elo boost? As Fritz19 I can make you play better again.

From a purely aesthetic perspective,  I really like the colour scheme, and you can see from the image above that there are a lot of options where you can play the computer or against someone else, enter and analyse your own games where the computer will make annotations, which I have always found very useful. You get a six-month subscription to Playchess.com with the purchase and I enjoy playing chess on that platform and you can watch live games and learn from them. I also enjoy the online apps where you can access video tutorials with openings and tactics.

There are some aspects of Fritz that you don’t get elsewhere. For example, selecting a sparring partner and I give you a link to further detail about what that is all about here:

https://en.chessbase.com/post/fritz-19-pick-your-sparring-partner-a-review

If you fancy playing against an all-round opponent, aggressive, swindler, positional, timid or endgame specialist then one of the dear creatures below is for you. I was amused to see their facial expressions as the game goes on. I have been trying to think about which actual grandmaster would suit each animal. For example the turtle (the endgame specialist) might exchange queens early on, then smash you in the endgame – just like English GM Keith Arkell, so I fondly call the turtle ‘Arkell’.

I played a very quick game (ten minutes or so) against the bull who is an ‘aggressive’ opponent to see what he had in his locker, so to speak. Well, needless to say I got checkmated after I had a promising position. I was Black and it threw the e, f, g and h-pawns at me. The bull scoffed in victory and pulled this face.

Well, I will get you next time Mr. Bull.

You can turn hints on or off for your game so that’s very useful for people learning the game, and stronger players too if they want it. The hints are not just moves, but also suggestions such as ‘attack a minor piece’ and the idea is to get you thinking, and improving in your decision making. It really is hugely useful.

There is another element to Fritz 19 that some will really love. Players who earn trophies are rewarded with digital collectible cards. These cards cover a variety of chess themes: World Champions, famous players, major tournaments, training materials, chess stamps, chess art, and rating lists. A series on famous chess books is currently in development. What's exciting is that cards can be traded on a market or offered in exchange for ducats. I admit though, probably due to age or just not being intuitive enough I cant’ really figure out what the value to me is of having these cards. You can collect them, like Panini stickers and they have a virtual value a bit like NFT's but not the same. I will be very keen to see how well this feature is used. It's not for me - I want to concentrate purely on the chess but it is fun and rewarding and I can see that many users will enjoy it. You can check it out here:

https://en.chessbase.com/post/Collecting-Excitement-with-cards-chessbase-com

And if you want a more detailed outline of what Fritz 19 is about then have a look at the official ChessBase site

https://en.chessbase.com/post/presenting-fritz-19

I guess the big question is this: Why should anyone spend their hard-earned cash on Fritz 19 when they can enjoy chess at lichess (for example) for free?

Well for me – it’s simply a way of playing and learning that is more fun. I don’t have to go online and I have so many options at my fingertips that I couldn’t want for anything more. Also, it suits my system of study and game management because I always input and analyse my ‘serious’ games in Fritz and save them – then I will open them up in ChessBase 17 at a later point where I can do more, such as publish and share.

To conclude. Fritz 19 is still the go to tool for me and many others. As a coach I use it for myself and students who find the options very useful aids to develop their understanding of chess. As well as being amongst the world’s best programs it has those new features outlined above in addition to the classic ones. Then there is the new opening training feature where you can play directly against databases, your own repertoire or even an opening article from a ChessBase magazine. This is seriously impressive. There is a ‘buddy’ chess engine, and the interface is enhanced in some areas.

There is a very useful video online where Matthias Wüllenwebe from ChessBase explains the features of Fritz 19. Please do watch it. You can find it  here:

https://www.bing.com/videos/riverview/relatedvideo?q=why%20still%20use%20Fritz%20chess%20program&mid=780B19A76621924DACB1780B19A76621924DACB1&ajaxhist=0

The playing experience is very interesting, and that’s what makes it for me. You can set the level from beginner to grandmaster, so it caters for literally everyone. I still think it is the ultimate chess playing program and of the 19 editions to date this really is the best.

A huge amount of work goes into developing and releasing Fritz, but I can see that it is a labour of love.

 

Chess in the Year of the King

 

Published by: Hardinge Simpole

2023 Hardcover

Pages: 417

ISBN: 978-1-84382-234-9 Hardback

ISBN: 978-1-84382-235-6 Paperback

 

The Publisher’s Notes.

Grandmaster Ray Keene OBE has enjoyed a career which spans many aspects of chess, including numerous victories in international competitions across five continents, organisation of three world chess championships involving Garry Kasparov, creation of the first ever world championship in any Mind Sport between a human and a computer (Dr Marion Tinsley v Chinook in draughts, London 1992) and the world record authorship of 206 books on Mind Sports, thinking and genius, with translations into sixteen different languages.

Here, Ray adapts forty-one of his columns originally written for The Article and The British Chess Magazine, together with some additional games and illustrations, in which his primary aim has been to connect chess to wider political, scientific and cultural concerns.

Contents

Brief Glossary of Abbreviations

Foreword

Introduction

Games

 

There are five sections to the book names as follows

Section One: Arts and Civilization

Section Two: Chess Legacy

Section Three: Russia and Ukraine

Section Four: World Champions

Section Five: Additional games

Further additional notes.

 

My overview

I read the predecessor to this – 50 Shades of Ray, an anthology covering the year of Coronavirus which was reviewed on this web site in August 2021. This second anthology is similar to that book in as much as it is a collection of games and notes (essays) as described in the Publisher’s comments above. It covers the time of the accession to the throne of King Charles III who happens to have been a landing mate of the authors from Trinity College Cambridge.

I have always enjoyed Keene’s style of writing. He is able to weave into his chess columns, an extraordinary number of historical and cultural references, which in my view serves to illuminate the game and enhance the pleasure of reading. No one else seems to write in this manner. The author is a prodigious writer, having published not only 206 chess books to date, but countless newspaper columns of which his regular features for ‘The Article’ are most entertaining. Just enjoy some of his articles here:

https://www.thearticle.com/contributor/raymond-keene

One look at the chapter headings illustrates how diverse the book is, and there really is something for everyone. There are absorbing details about the history of the game, and chess players these days would do well to read them, instead of studying openings all day. Who else could graft issues such as ‘The siege of Troy, the Natural History Museum in Brisbane, the Welsh Mabinogion and ‘Anonymous Bosch’ into their chess columns? There is poetry too, and plenty of nice supplementary illustrations to accompany the articles.

Keene is an expert at articulating contemporary and historical facts, combined with his own views and experiences such as why the police contacted him with a bizarre chess request. Where he gets his ideas from is anyone’s guess, and I freely I admit that this intellectual heavyweight loses me completely at times. You can expect lines such as ‘So, Godot, a symbol, God, a metaphysical construction, or a very bad French cyclist?

Crikey! Yet I love books that challenge me in some way and I ended up Googling a variety of topics, browsing eagerly through my Oxford dictionary, and studying giant lobsters, all because of this publication.

The games

Let us not forget that this is a book about chess. There are fifty-six annotated games, which include ancient and contemporary chess, the latter showing the ‘bongcloud’ attack’ with 1.e4 e5 2.Ke2? which Hikaru Nakamura played for fun occasionally. What kind of madness is this?

The author includes his own games (quite rightly), and those from Greco to LaBourdonnais and Fischer to Nepomniachtchi. There is even a game of Einstein’s to be studied. The ladies enjoy their moment in the spotlight too, with battles from Cathy Forbes (against Tal!) and Vera Menchik, former Women’s World Champion, who died in the Blitz in 1944 at the age of 42, destroyed as she was by a Nazi flying bomb.

Ray Keene has played many fine games in his career, and he was always determined to demonstrate that Black could play for a win, not just try to gain equality. His game against Eraso Gallego in Madrid (1982) shows his pugilistic spirit.

I enjoyed the chapter ‘In Memoriam’ a tribute to Michael Basman who sadly died in 2022.

This was the game Basman-Hartston from 1968 (Birmingham-London) with White to play. Basman essayed 38.Ne6!! which demolished Black’s resistance. I will let you find the game and the finish.

There are so many entertaining chapters but I particularly enjoyed ‘Chess: Feasting with Grandmasters’ as Keene transports us back to a time when chess was all the rage at Simpson’s-in-the-Strand in London being the world’s greatest chess club, serving delicious roast beef, followed by coffee and cigars. The other elite club in the world at that time was the Café de la Régence in Paris. By some strange quirk of fate, I was due to visit the French capital at the time of reading this book – so I paid a visit to the café, which is not in its original location, nor does it have anything to do with chess any longer, but the book inspired me to stop by and I kept one of the coffee coasters (shown below) as a memento.

Back to my favourite chapter and Keene translates the French menu from the London 1883 tournament, which includes lobster cutlet with rich sauce, noisettes of mutton in huntsman’s style, and stuffed peaches with macaroons. This is food fit for a king for sure.

There are revelations contained within the pages too. Who knew that Britain’s second over-the-board grandmaster (the author) had an early interest in marine biology? Keene soon learned that lobsters were not only fascinating to study but also delicious to eat, grilled in a hot butter sauce. I was enthralled by the story of bogavante gigante - an immense, blue lobster not even listed on the menu. Did the author ever eat one of these brobdingnagian crustaceans? Read the book and find out.

If you want a book replete with interesting and instructive chess games, that also includes subjects such as the Jacobean cancel culture, the great chess murder challenge, Cheating at chess, and Norse code – then this is for you. I can imagine entertaining visitors by reading selected prose from the book.

Oh, and how lovely of this British chess legend to include a piece on the young Shreyas Royal – now a UK citizen, who notched up his first grandmaster result and will go on to greater things. This is what I like about Keene – he will happily share stories from days gone by, but he is also bang up to date with current chess affairs. He describes himself often as emanating from the cretaceous period. Maybe, but he has been blessed with a razor-sharp brain, and a formidable intellect. People like Ray Keene deserve to be listened to, whether or not his opinions in his articles are agreeable or otherwise. Some may say that this is merely a collection of random musings, but if so, then it is for that very reason that I like it. You never know what you will find when you turn the pages.

I found only a couple of minor typos, and I would have preferred the list of players and games at the back of the book, not the front, but these are minor quibbles. I personally would like to see the diagrams with the alpha-numeric co-ordinates on, which might help average strength players and beginners. The book is what it says it is, a collection of chess essays (chessays) over a period of time. There’s nothing quite like it out there, and I am delighted to have it on my bookshelf. I will conclude this review with my favourite words from the book.

‘Chess is an arena for human endeavour.’

Quite so.

International Grandmaster Raymond Keene OBE became a grandmaster in 1976. His victory over Mikhail Botvinnik at Hastings in 1966/7 was only the third ever victory by an Englishman over the Soviet world chess champion. Ray retired from competitive chess in 1985, after appearing for England in eight consecutive Chess Olympiads. He is a prolific author and chess columnist and has organised many top-level chess evets including the World Chess Championship in London in 1993 between Garry Kasparov and Nigel Short.

 Adam Papier Black ‘massaged’ and oversaw the book as co-author. Originally enlisted as the editor, he contributed so much that Ray Keene invited his promotion as co-author. Adam has great experience of playing, organising and writing about chess.

Chess Rivals of the 19th Century

 

                                

Published by: McFarland 

2021 softcover (7x10)

Pages: 477

Bibliographic Info: 54 photos, diagrams, games, bibliography, indexes

pISBN: 978-1-4766-8072-9

eISBN: 978-1-4766-3924-6

 

The Publisher’s Notes.

Many historical chess books focus on individual 19th century masters and tournaments, yet little is written covering the full scope of competitive chess through the era. This volume provides a comprehensive overview, with more than a third of the 300 annotated games analyzed by past masters and checked by powerful engines. Players such as Max Lange and Cochrane, known to the chess public only by the name given to a fierce attack or gambit, are brought to life. Fifty masters are each given their own chapter, with brief biographies, results and anecdotes and an endgame section for most chapters.

Contents

Acknowledgements, Introduction, Fifty-One chapters, The 19^th Century’s Top Ten Tournament Players, The 19^th Century’s Top Four Match Player, Bibliography, Opponent’s Index, Annotators Index, Openings Index (names), Openings Index (ECO classification), Index of Endgames, General Index

My overview

I am yet to read a McFarland chess publication and not enjoy it immensely. They are not just chess books, they are a historical record of an era, the like of which we shall never see again. This book is culturally enriching. I believe that in chess – as in life – you have to know where you have been to know where you are going and to do that you have to take the time to digest books such as this. One can step through the magic door and travel back in time to another world, far removed from modern madness. The test for me is, can the author bring this nostalgic world to life, or does what he/she offer tend to be rather barren? Additionally, I want to learn something, not just about the games but the characters. I want to feel a sense of occasion. I want to drown in the history of it all. Smell the cigar smoke, hear the hubbub around the 19^th Century chess club.

So, what about the book?

There are several things in general to note about the fifty masters profiled in this book. The anecdotes throughout are splendid and any chess player interested in history cannot fail to find them of great interest. It surprised me how many were of Polish descent, and that country certainly produced its fair share of top players. Also I am always saddened when I read just how young many of these men were when they died. Harry Nelson Pillsbury was 34 and Rudolf Charousek was only 26 when he succumbed to tuberculosis.  Cecil Valentine De Vere was 29 (Consumption) and Carl August Walbrodt slipped away at 30 again from tuberculosis. It is terribly sad, and one wonders what they might have achieved given another 20 years of life. The book profiles all of these players and I do like the simple layout. Each person has an introduction with background information about them, this includes a photograph/sketch which helped me to link the man with the story. Then there are some details about when they died and some notes from their official obituaries – and here the reader can see how significant the British Chess Magazine was in reporting and recording such events. The ration of diagrams to text is fine, illustrating key moments.

Many players barely made a living, and actually much like today it was more financially lucrative to give simuls and write about the game than actually play it. There are a few select games for each player and the last section from each player shows a few endgame examples, which I found to be intellectually stimulating and can be used as coaching material today.

When I studied the images of the players, I visualised sitting opposite them. I tried to imagine how they spoke, and what their views on the world were. I loved the way they dressed. Adolf Albin (pictured below) looks like he would be more at home in a mid-west saloon bar. Well, he invented the exciting ‘Albin-Counter Gambit’ (1.d5 d5 2.c5 e5!?) which is akin to a shootout on the chessboard. Yes folks, he looks like the kind of man who would go for that!

 

                                                        Adolf Albin 1848-1920

                                                         Public Domain, https://commons.wikimedia.org/w/index.php?curid=667979

Now I do have one issue. The author does not use the internationally recognized ELO system to rank/rate the players. Instead, he chooses to use a chess metric called an EDO rating. I have never heard of this before. This is a valuation introduced by one Professor Rod Edward, used for the purpose of ascertaining a player's peak strength. This of course is purely the author’s choice – and not a crime – but I kept wondering as I went through if or how the player’s EDO rating translated to an ELO rating so I could compare it to contemporary players. I am still a bit baffled by it but it by no means a show-stopper.

We all know about the likes of Anderssen, Lasker, Steinitz, Staunton and Morphy but what about other rivals? I was amused to read some of the names of these ghosts of the past. In first place for me, and the gold medal pedestal goes to Lionel Adelberto Bagration Felix Kieseritzky, silver medal is awarded to Tassilo von Heydebrand und der Lasa and the Bronze goes to Curt von Bardeleben. Ooh, aren’t those just marvellous names? Dig in folks and enjoy some of their games, too.

The games

There are some 300 games, which kept me busy. These range from coffee-house encounters to International tournaments and World Championship clashes. It’s true that in those days there was some sub-standard chess played at that level. I am thinking of Staunton - Von der Lasa (Brussels 1853) which went 1.e4 e5 2.Nf3 Nf6 3.Bb5 Nf6 4.Qe2 Bd6 yet to be fair, very strong players these days have played it. I have personally never seen it in any club match, county match or tournament in my life though. Then there is W. Steinitz - Winawer (Vienna 1883) which went 1.e4 e6 2.e5 f6?! I mean come on, really? It is a move, fair enough but not one that even club players would try, I am sure of it.

We also see the crazy games. The 19^th Century was a time where men were men, and they essayed the likes of the Vienna and King’s Gambits for fun and lord help any opponent who never accepted the challenge. These rivals were all at it, going for the throat from move one. Max Lange was the one for me – he used to just play open and wild chess. This example from Lange-A. Anderssen Berlin 1851 was typical of some of the swashbuckling chess on show.

 

One is given to wondering how anyone could even arrive at such a position. It is as if someone has picked up all the pieces and thrown them liberally across the board. You will enjoy many games like this in the book. In other battles we find ‘Imbecile moves’ and marvellous attacking gems, many known to chess players at all levels. Miniatures such as Zukertort - C.V. De Vere from London 1892, and endings such as Bardeleden’s in Dresden 1892 against Albin are just great fun.

I don’t know what the strong player might learn from the games in this book – but let us not forget that these gentlemen did not have the luxury of chess engines as we do today so what we have before us is honest, human chess. There are plenty of tactical shots, especially in the endgame positions to enjoy and learn from at all levels. The reader should be aware that most of the book concentrates on the second half of the 19^th Century, because there were no real tournaments or World Championships as such before then. 

How was it for me?

I thoroughly enjoyed it. I am not a chess historian by trade so I cannot account for the accuracy of everything, but the annotations and anecdotes were taken from official sources such as newspapers and magazines. I would love to have seen one of my favourites from the 19^th Century in there but he was obviously not strong enough a player to feature. Arthur Bolland Skipworth (1830-1898) was one hell of a character – the reader should look him up!  

On the subject of what isn’t in the book – and in fairness to the author this won’t have been within the scope, I shall give a shout out for the only female player to be considered amongst the top players in the 19^th Century player. Ellen E. Gilbert (née Strong) (April 30, 1837 – February 12, 1900) was dubbed ‘The Queen of chess’ and she was a very strong correspondence player. She was one of the first significant women players in chess history. She allegedly once announced mate in 21 moves and certainly fared well as a woman in a man’s (chess) world. It was said that Steinitz analysed her games.

I was delighted to learn new things in this book. For example, I never realised that the Italian player Serafino Dubois, when in London 1862 had to play by the rules of chess then standardised throughout Europe, except for Italy. He was used to the 15^th Century rules which allowed freehand castling, allowing the king to go to g1/h1 and the rook to f1/e1. Castling queenside allowed the king to go to b1/a1 and the rook to b1/c1 or d1. Furthermore en-passant was forbidden. This is just the kind of information I love to digest.

I mentioned the pros – but were there any ‘cons’?

There are a few typos, but that’s to be expected in such a big tome. It would be easy to miss the typo ‘Tarrrasch’ (three r's) but at least it shows that I read the book! This and the EDO system I referred to were all I would mention. 

Does the book achieve its aim?

The author writes that the aim of this book is to give the reader an overview of competitive chess throughout the 19^th Century. There’s a feast of chess and a feast of information about these players to bring the subject to life. It is a bit like a chess séance – reaching out to these men down the decades. It worked for me, and enhanced my appreciation of our beloved game, ergo the book certainly did achieve the aim, for me anyway. It may cost a few pennies, but you will have a lovely resource, for life.

If you want to know who ‘The invincible English Bulldog’ or ‘The Black Death’ were then this is for you. I did not realise that Paul Morphy was born on 22^nd June – the date of my wedding anniversary – so I shall raise a glass to him each year. It is a cliché to talk about a labour of love, but this clearly was, written over many years the author can be rightly proud of his work. I believe that it deserves a place on any chess players’ bookshelf.

If you want to start by studying chess and chess players from the past, the author gives the top four players of the 19^th Century for match play, ranked according to results against opponents rated 2600 or more. These four are W.Steinitz, P.Morphy, E.Lasker and L.Paulsen. Start with them, and you won’t go far wrong.

Once again, McFarland publishing (and Tony Cullen) have delivered a seriously valuable book which adds value to the historical record of this ancient and epic game.

I must finish with a wonderful quote that reflects the style of writing at the time. A Hungarian newspaper (Pester Lloyd) wrote this of Géza Maróczy…

‘Of chief importance is the manner in which Maroczy (sic) has won his triumphs. At the present time there is unfortunately a method of chess play in vogue which characterizes itself by its colourless, tasteless manifestation of life, by which the game is begun with a closed opening, the pieces are shoved together into a lurking position, the objective point apparently being to create a weak pawn for the opponent, and then very carefully play nothing at all.’

Well, I did tell you that they preferred swashbuckling play, didn’t I?

Who is the author?

Tony Cullen played chess for the strong London Central YMCA Chess Club and organized tours playing team matches against strong opposition in various European cities. He lives in London.

 

 

 

PREPARE TO WIN A club player's guide to winning at chess before move one

 

BOOK REVIEW by Carl Portman

PREPARE TO WIN

      A club player’s guide to winning at chess        before move one

 by Jonathan Arnott

Jonathan Arnott

Foreword by GM Gawain Jones

Pages: 226

Published by: Steel City Press  

2022 softcover

 

What is this book about?

The publisher’s notes:

 

Preparation used to be something chess players would only read about; the kind of thing that players would do to prepare for a World Title match. But like it or not, in the computer age every serious club player now has two choices: learn to prepare for your opponents or become a target for their preparation. There isn’t much literature on the subject, and much less aimed at anyone of 1400 to 2200 strength.

Most of experienced teacher and coach Jonathan Arnott’s wins against IMs and GMs have come as a result of precisely this preparation. In some cases, a game has literally been won and lost before a single move was made on the board. In this book, he provides a grounding in everything the modern player needs to fight against opponents from club level to GM. Key topics include:

 

Ø  What to look for in preparation

Ø  What to spend your time on

Ø  How to avoid becoming a preparation target

Ø  Avoiding your opponent’s preparation

Ø  Setting traps and dictating the style of game

 

‘Armed with the recommendations in this book it will become even tougher for us titled players to out-prepare our opponents. On behalf of all professionals can I selfishly ask that you disregard Jonathan’s advice?’ – GM Gawain Jones

 

Contents

 

·         Foreword

·         Introduction

·         Sixteen Chapters

·         References and final advice

 

My thoughts and comments

A good chess coach will tell their student to ‘begin at the end’ and study the endgame as much as if not more than the openings initially. In that sense I am going to start at the end by saying from the off that I highly recommend the book and that I thoroughly enjoyed it. Don’t just take my word; when an esteemed grandmaster like Gawain Jones writes a foreword and champions the book for club players, you know it will be good.  

 

What’s the book about?

Essentially this is a book sharing the author’s views on how to prepare for opponents before you even sit opposite them (or play them online) and he uses his substantial (methodical) experience in this area to guide the reader through with examples. If you are a French Defence player (as I am!) then you’ll derive particular pleasure from this book but trust me, it’s great for everyone.

 

How was it for me?

Very useful. I learned plenty of new things, not least that there was a web site called openingtree.com and you can use this in your preparation. The author highlights the fact that these days it can be tricky to prepare against people because they use these weird usernames online which bear no relation to their actual name, so you have to try to dig deep and find out who they are, but there are ways to do this. I actually learned a couple of new lines in the French Defence too, which helped!

 

I enjoyed some of the top tips, including this gem ‘When preparing, don’t go into a line you don’t know or understand just because it’s got a positive engine evaluation.’ So many people nowadays leave a portion of their brain dormant and let the engine make the decisions, but this is not going to help a chess player improve. Arnott tells us not to play lines if we don’t actually know how to play them. This sounds obvious but we do it so often. There are many more valuable tips but of course I won’t reveal them all here.

 

Chess games

There are plenty of games contained within the pages of the book. Some involve a player I actually know, and I played him online only a couple of weeks before this review. If only I had known about the openingtree resource before I played Harry Taylor!

 

One lovely example was how Arnott prepared against the London System. It went 1.d4 e6 2.Bf4 c5!? 3.Nf3 cxd4 4.Nxd4 and we end up in this position (below)

 

 

The author’s prep served him well (2…c5 was the slippery customer) and he now had a winning move, but what was it? You’ll see in the book of course.

There are plenty of annotated games and where parts of games have been given to illustrate points, the full game can be found at the back of the book, which is useful as I definitely wanted to delve deeper going into the endgames of some positions.  

 

Was there anything I didn’t like?

Well, a genuine review must involve all of my feelings in order to be objective although inevitably such feelings are subjective! Actually, I only have a couple of minor points. I found several typos and a couple of muddles in the move annotations, and I would have liked an index of openings, but that is just my preference and in fairness, openings were not the point of the book. Other than that, no problem. I can see how much work and thought has gone into the content and presentation of the book.

 

Does the book achieve its aim?

Definitely. The author has given me much food for thought about how I go about preparing for games. Reading about how another chess player prepares is fascinating and it brought home to me the fact that so many of us only scratch the surface. There is so much more information out there on the information superhighway about our opponents and indeed ourselves, if we are prepared to look for it. The author describes how to interrogate data and he offers some psychological advice on how to prepare if you don’t even know who your opponent is to the last minute.

 

He also reminds us to be honest with ourselves. We should analyse our own games, our own weaknesses and try to find ways to fill the gaps. This of course is a vital element of self-improvement and a very good point indeed. All too often we are not honest with ourselves.

 

And I should mention his emphasis on ‘not punishing mistakes immediately.’ This sounds weird, because we often say when you see an opportunity (a mistake by the opposition) seize upon it immediately - but Arnott calmy explains his rational and all becomes clear in the book.

 

There is one other abiding thought from me. GM David Howell once spoke online about the advantages of writing your games in a book. That way, your games/preparation/analysis cannot be found online by billions of people, thus it will make preparing against you much more difficult. I agree with this totally but we now live in a world where so much can be found online and Arnott’s book is a very useful tool to aid the keen and improving chess player to better prepare for games. Can it really be a guide to winning before move one, as the cover suggests? Yes!

 

We should use any means we can to collect information about our opponents if we are serious about improving. I shall finish with a start – the first words of the introduction to the book which states

 

‘Failing to prepare is preparing to fail.’

 

Amen to that.

 

Who is the author?

Jonathan Arnott has decades of teaching and chess coaching experience. He has captained the Yorkshire County side, represented White Rose in the European Club Cup (the ‘Champions League’ of chess) and captained Chessable White Rose to victory in the inaugural online Four Nations Chess League. He is a Candidate Master.

 

I wish I’d had this book a couple of years ago. Jonathan’s recommendations took me a lot of trial and error to discover. – GM Gawain Jones, two-time British Champion.